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Some have been documents of a moment or era of gay history, some have been used as correctives to decades of negative clichés, and others have simply celebrated the fact that the movies can be queer, they’re here, get used to it. But since those two men first danced, there have also been scores of stories, characters, and filmmakers that have presented the varied, multitudinous aspects of LGBTQ experiences 24 frames per second that have gone past those stereotypes, or flipped them on their heads. That clip appears in The Celluloid Closet, Rob Epstein and Jeffrey Friedman’s documentary based on Vito Russo’s study of homosexuality in the movies, along with countless examples of how gay characters showed up, per narrator Lily Tomlin, as “something to laugh at, or something to pity, or even something to fear.” The history of representation is long, and extremely storied, often shaping how the public viewed “the love that dare not speak its name” for better or worse. It’s considered by many to be one of the first examples of gay imagery in film, and a reminder that homosexual representation has been with the medium from the very beginning. While there’s nothing to outright suggest that these men were romantically involved or attracted to each other during the roughly 20-second length of their pas de deux, there is nothing that contradicts that notion either. It’s known as “The Dickson Experimental Sound Film,” and dates back to 1895, the same year movies were born. It was an experimental short made by William Dickson, designed to test syncing up moving pictures to prerecorded sound, a system that he and Thomas Edison were developing known as the Kinetophone. But this brief footage is not so ancient that you can’t clearly make out two men, waltzing together, as a third man plays a violin in the background. (This was Tim Kramer's first bottoming scene on camera.It’s grainy, faded, and, given the clip is now 125 years old, more than a little worse for wear. Tim dives over the rail and swims back to his boat. They kiss and rub their tight bellies together then Kyle jerks his load across his hairy abs. Huffing and puffing (on the dubbed soundtrack anyway) Kyle slams his dick into Tim's hot welcoming ass. Time wraps his legs over Kyle's shoulders and kneads the big stud's thick hard pecs. Ramming a finger up into Tim's booty, Kyle opens him up and plows in with his massive straining 8-incher. Kyle sucks his dick then moves down for a taste of kramer's hot hungry hole. "Yahh, play with those tits," Tim pleads as he strokes Kyle to a stiff woody. In this vintage precondom loop, Tim squats over Kyle and lowers his crotch into the curly-headed Hazard's face. He sucks and slurps Kyle and kneads his nutsack while Kyle reaches a hand down the back of his shorts to play with Tim's perfect ass. "How ya doin?" he asks as he leans in to get a kiss and a grope of Kyle's big stiff tool. Tim climbs aboard to get a better view of the handsome muscle stud.
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80's blond idol Tim Kramer steers his motorboat up next to an anchored yacht where Kyle Hazard sleeps naked on the deck.